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The idea in the film, for me, was to tell the story of an attractive, intelligent, completely uninteresting person who gets interesting through a woman, through an imagination, through someone who also allows him, for a short while, to imagine, for six weeks, a crazy story. Then he goes back into his mediocrity, but once in his life he was alive. And that’s wonderful, most people are never alive. It’s wonderful to be, for some weeks, alive, even if you project in a desperate, completely wrong direction.
—Daniel Schmid, BOMB 7, 1983, about his film Hecate, 1982
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